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A small magenta icon of a freestanding scaffolding system with various pink components floating in it, including marquee letters, a rattan chair, a locker room bench, dumbbells, a latex bowtie and a collegiate seal. Surrounded on all four sides by a hot pink border.
SCENE THREE   







      A closely cropped magenta-toned image of Anita Bryant’s face covered in pie. She holds her hands to her face, her long manicured nails contrasting with the whipped cream of the pie.

       A closely cropped magenta-toned image of Anita Bryant’s face covered in pie. She looks away from the camera, pictured eye downcast, her blow-dried hairstyle taking up half the frame.

      A closely cropped magenta-toned image of Anita Bryant’s face covered in pie. One piercing eye stares directly at the camera.

      A closely cropped magenta-toned image of Anita Bryant’s face covered in pie. She looks downward, her image transformed almost entirely into abstraction by the whipped cream.



     
A pink collegiate seal comprised of an open book with the names “WOODS and SHAVER” printed on opposite pages, a labors, a lambda, and interlocking women’s symbols over three pink triangles, encircled by a round magenta emblem with the text “AMID TALK OF RELATIONSHIP, UNMARRIED BY CHOICE, and PRESIDENT-ELECT MCMXCV.”           




     
A black and white press conference photograph of Susanne Woods standing behind a podium, with a banner that reads “WOOSTER” hung behind her, and the college’s seal on the front of the pedestal.           





      
   A monotone image of the cover of The Convent of Pleasure and Other Plays by Margaret Cavendish, edited by Anne Shaver.